Following up (finally) on a tweet-storm from March about music discovery and libraries now.
I used to subscribe to lots of MP3 blogs. I had lots of free time in high school, and listened fervently to the local college radio station (as I’ve mentioned before, in an autobiography through musical devices.) Music discovery is now fragmented across services—SoundCloud, Spotify, iTunes, Pandora, the now-defunct Rdio, and even 8tracks)—it’s both harder and easier to find new music. The wizardry of Shazam, too, means getting to find out what song is playing in the bar, store, or on the radio so you can buy it or find it later online.
Pitchfork recently published a great longform essay on music streaming. It covered the past, history, and present of music streaming, and brought up a lot of great points. These are my reactions.
The piece discussed how “the “omnivore” is the new model for the music connoisseur, and one’s diversity of listening across the high/low spectrum is now seen as the social signal of refined taste.” It would be interesting to study how this omnivority splits across genres, age groups, and affinities. I find myself personally falling into omnivore status, as I am never able to properly define my music taste according to genre, and my musical affinities shift daily, weekly, monthly, with common themes.
Also discussed is the cost of music, whether it be licensing, royalties, or record label advances. Having to deal with the cost of music is a difficult matter. I wonder if I would have been such a voracious consumer of music if I hadn’t grown up with so many free options with the library, the radio, and later, music blogs. Now that I’m older, I make the effort to purchase music when I feel the artist deserves it, but as I distance myself (incidentally, really) from storing music on my computer, that effort becomes less important to expend.