Following up (finally) on a tweet-storm from March about music discovery and libraries now.
I used to subscribe to lots of MP3 blogs. I had lots of free time in high school, and listened fervently to the local college radio station (as I’ve mentioned before, in an autobiography through musical devices.) Music discovery is now fragmented across services—SoundCloud, Spotify, iTunes, Pandora, the now-defunct Rdio, and even 8tracks)—it’s both harder and easier to find new music. The wizardry of Shazam, too, means getting to find out what song is playing in the bar, store, or on the radio so you can buy it or find it later online.
Pitchfork recently published a great longform essay on music streaming. It covered the past, history, and present of music streaming, and brought up a lot of great points. These are my reactions.
The piece discussed how “the “omnivore” is the new model for the music connoisseur, and one’s diversity of listening across the high/low spectrum is now seen as the social signal of refined taste.” It would be interesting to study how this omnivority splits across genres, age groups, and affinities. I find myself personally falling into omnivore status, as I am never able to properly define my music taste according to genre, and my musical affinities shift daily, weekly, monthly, with common themes.
Also discussed is the cost of music, whether it be licensing, royalties, or record label advances. Having to deal with the cost of music is a difficult matter. I wonder if I would have been such a voracious consumer of music if I hadn’t grown up with so many free options with the library, the radio, and later, music blogs. Now that I’m older, I make the effort to purchase music when I feel the artist deserves it, but as I distance myself (incidentally, really) from storing music on my computer, that effort becomes less important to expend.
Here’s what was important this week…
Are women being infantilized or endangered in the Olympics?
Also, the Olympic medal count gets more interesting depending on whether you look at it in terms of total medals, number of gold medals, or medals per capita.
In world news, protests in Ukraine that have been going on for a few months have escalated as the government ramps up its violent response. Just today (overnight for us in the US time zone) a deal was signed between the government and the protestors. Hopefully it will hold. That article (CNN) provides a good overview of the violence, but essentially the protests started as the government aligned itself with Russia, while many citizens wished for more of an EU alignment. Photos (some graphic) of the violence were collected yesterday by In Focus, and the New Yorker is wondering if this protest is the final straw: Will Ukraine Break Apart?Like many of the protests in recent years, the protests have been named somewhat with the square in which they’re occurring. Tahrir, Zucotti, Gezi, and now the Ukrainian protests, combining the word for “square” and the crux of the protests, european integration, to make euromaidan. You can watch four simultaneous live feeds of the park if you like. (The current president of Ukraine also ran for president in 2004 and was “elected” but forced to concede to his opponent after accusations of electoral fraud. One of those protesting the election results also happened to be the sign language interpreter for the state run news channel.)
Inspired in part by Cyborgology’s Autobiography through Devices series
I grew up surrounded by music. Dancing wildly in the living room to REM’s Don’t Go Back to Rockville and Rusted Root’s Ecstasy with my siblings as we were toddlers remain fond childhood memories of mine. As I grew older I kept listening to my parents’ music, including an entrenched eighties phase, and as I left Junior High, I owned a Train tape, a Cat Stevens Classics CD, and Motion City Soundtrack’s first album, I Am The Movie, among others. I shied away from the popular music of my peers in Junior High, and avoided Alkaline Trio, System of a Down, and Blink 182 (this was a mistake, I might add).