Here’s what was important this week…
Software is everywhere lately. My boyfriend asked me what I thought the next big website would be (after the success of Google, Myspace, Facebook, Twitter, etc.), and I realized it’s just as likely (if not more likely) to be a software application rather than a website. Paul Ford took some time to enshrine some works of software in a “software canon” — Microsoft Office, Photoshop, Pacman, the Unix operating system, and eMacs (which I’d never heard of until this essay came out).
Software has had a noticeable effect on our day to day lives (especially those with smartphones), but it’s also had a huge impact on music and the way it’s created, recorded, and produced. Fact Magazine went through 14 works of software that shaped modern music (electronic music started way earlier than I thought). One of those software applications is Auto-Tune, and the Sounding Out! blog happened to post about the history of Auto-Tune.
Here’s what was important this week….
Felix Salmon, a formers Reuters journalist, wrote a screed about why publishing news with the readers in mind is more valuable than breaking news.
As he puts it, “when journalists start caring about scoops and exclusives, that’s a clear sign that they’re publishing mainly for the benefit of other journalists, rather than for their readers. “
Even more clearly, and something that I can relate to easily, is the idea that:
“Readers come first, and all decent publications have their own readership: they shouldn’t be so meek as to assume that their readers will have invariably found the same news elsewhere, just because someone else’s version arrived a little earlier.”
When you spend most of your time on the Internet surrounded by, to borrow his phrase, media navel-gazers who lives on Twitter, everything starts to seem like unimportant, old news. But thankfully, when you talk to others outside of that arena, it is easy to remember that news that seems everywhere and overdone in one circle could be totally absent in another.
Pitchfork recently published a great longform essay on music streaming. It covered the past, history, and present of music streaming, and brought up a lot of great points. These are my reactions.
The piece discussed how “the “omnivore” is the new model for the music connoisseur, and one’s diversity of listening across the high/low spectrum is now seen as the social signal of refined taste.” It would be interesting to study how this omnivority splits across genres, age groups, and affinities. I find myself personally falling into omnivore status, as I am never able to properly define my music taste according to genre, and my musical affinities shift daily, weekly, monthly, with common themes.
Also discussed is the cost of music, whether it be licensing, royalties, or record label advances. Having to deal with the cost of music is a difficult matter. I wonder if I would have been such a voracious consumer of music if I hadn’t grown up with so many free options with the library, the radio, and later, music blogs. Now that I’m older, I make the effort to purchase music when I feel the artist deserves it, but as I distance myself (incidentally, really) from storing music on my computer, that effort becomes less important to expend.
Here’s what was important this week…
Facebook now allows you to choose a “custom” gender option and fill in your own gender on your profile–to a point. Rather than being a free-text field, Facebook instead offers options which autocomplete. Slate went through the effort of tabulating all 58 of them. Facebook is likely avoiding a free-text field because it wants to avoid trolling, but more likely they want to maintain the purity of their data about users.
One issue with Facebook (and in my opinion, this could be extended to many other social networks) is that it requires code switching. Code switching, typically associated with race and ethnicity, is even featured in an NPR blog devoted to the topic, which is introduced with this article. As the first essay mentioned, “Facebook’s design—really, the design of public and semi-private virtual interaction spaces on the web—is starting to feel like it’s reached its past-due date.” While I think there is a future for social media, the act and necessity of code switching is a tiring one.
As more media show up, we’re finding different ways to interact on each one and access different groups through our social media channels–ideally, we’d only need to code switch if we app switched. Personally, I’ve found my Facebook interactions have transformed since I started using the service–I primarily interact with a few specific friends on their walls/timelines, engage more broadly with a few Facebook groups, and the content that I share most broadly (primarily links) still excludes some friends.
Facebook has named its new app offering, which debuted today, “Paper”. As Lev Manovich points out, this naming signifies that “Old media metaphors are not going away” In fact, old media themselves aren’t going away.
Nowadays, fears that e-books and mp3s will dominate the reading and listening landscapes are all over the media. These fears seem somewhat cyclical, with the same old complaints cropping up decade after decade, as documented by the NYTimes more than once, Tom Standage in Wired, and XKCD, among others. Fear of the new manifests itself as dismissal of the digital, or whatever new technology has come to the fore.
Research has proven that not only do books have some staying power, old forms of music media are regaining popularity as well. Millenials are buying more books than other generations, and vinyl records are making a comeback. Cassette tapes, even, have found a resurgence.