Protest and Media

Here’s what was important this week…

Are women being infantilized or endangered in the Olympics?

Also, the Olympic medal count gets more interesting depending on whether you look at it in terms of total medalsnumber of gold medals, or medals per capita.

In world news, protests in Ukraine that have been going on for a few months have escalated as the government ramps up its violent response. Just today (overnight for us in the US time zone) a deal was signed between the government and the protestors. Hopefully it will hold. That article (CNN) provides a good overview of the violence, but essentially the protests started as the government aligned itself with Russia, while many citizens wished for more of an EU alignment. Photos (some graphic) of the violence were collected yesterday by In Focus, and the New Yorker is wondering if this protest is the final straw: Will Ukraine Break Apart?Like many of the protests in recent years, the protests have been named somewhat with the square in which they’re occurring. Tahrir, Zucotti, Gezi, and now the Ukrainian protests, combining the word for “square” and the crux of the protests, european integration, to make euromaidan. You can watch four simultaneous live feeds of the park if you like. (The current president of Ukraine also ran for president in 2004 and was “elected” but forced to concede to his opponent after accusations of electoral fraud. One of those protesting the election results also happened to be the sign language interpreter for the state run news channel.)

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Identity, amplification, and ownership on the Internet

Here’s what was important this week…

Facebook now allows you to choose a “custom” gender option and fill in your own gender on your profile–to a point. Rather than being a free-text field, Facebook instead offers options which autocomplete. Slate went through the effort of tabulating all 58 of them. Facebook is likely avoiding a free-text field because it wants to avoid trolling, but more likely they want to maintain the purity of their data about users.

One issue with Facebook (and in my opinion, this could be extended to many other social networks) is that it requires code switching. Code switching, typically associated with race and ethnicity, is even featured in an NPR blog devoted to the topic, which is introduced with this article. As the first essay mentioned, “Facebook’s design—really, the design of public and semi-private virtual interaction spaces on the web—is starting to feel like it’s reached its past-due date.” While I think there is a future for social media, the act and necessity of code switching is a tiring one.

As more media show up, we’re finding different ways to interact on each one and access different groups through our social media channels–ideally, we’d only need to code switch if we app switched. Personally, I’ve found my Facebook interactions have transformed since I started using the service–I primarily interact with a few specific friends on their walls/timelines, engage more broadly with a few Facebook groups, and the content that I share most broadly (primarily links) still excludes some friends.

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Design, Destruction, and Reading

Here’s what was important this week…

As the web and technology become ever more ingrained in our day to day lives, the role of designers becomes more apparent. Designers have been around since things began to be created, and according to one man, they’ve destroyed the world.

It’s a bold statement. But designers (architects, if you’re a designer of buildings and structures) have designed prisons, and even the solitary housing units (SHUs) that unconstitutionally detain inmates.

Mike Monteiro wants to change that. In his 45 minute long talk (it’s worth it, though I admit my attention was wavering at the 40 minute mark), he passionately declares that it is the responsibility of all designers to be gatekeepers for bad, and outright harmful, design. And he has a point. If something isn’t designed, it can’t be built (or at least, not very well). He calls on designers to recognize the power that they have, even if they don’t realize it.

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Autobiography through (Musical) Devices (Part Rogue)

Inspired in part by Cyborgology’s Autobiography through Devices series

Autobiography Through Devices (Part 1)

Autobiography Through Devices (Part 2)

I grew up surrounded by music. Dancing wildly in the living room to REM’s Don’t Go Back to Rockville and Rusted Root’s Ecstasy with my siblings as we were toddlers remain fond childhood memories of mine. As I grew older I kept listening to my parents’ music, including an entrenched eighties phase, and as I left Junior High, I owned a Train tape, a Cat Stevens Classics CD, and Motion City Soundtrack’s first album, I Am The Movie, among others. I shied away from the popular music of my peers in Junior High, and avoided Alkaline Trio, System of a Down, and Blink 182 (this was a mistake, I might add).

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Memory, Experience, and Privilege

Here’s what was important this week

I wrote a really long link round-up piece about how technology and our memory interact in potentially damaging ways. And then I realized it was a blog post. So you can read that here:http://wp.me/p3qnzQ-5J

It’s something I find endlessly fascinating, and will be interesting to see how it progresses as technology becomes ingrained in even more aspects of our day to day life and becomes more visible (or not).

Technology is also changing many analog experiences into more digital ones. One photographer explores the future death of the standalone camera for the New Yorker, and reflects on perspective lost:

“As anyone working in a creative field knows, the perspective gained by spending time away from work is invaluable. Before digital (and outside of Polaroids), photography was filled with such forced perspective. No matter how quickly you worked, it was common for hours—if not days, weeks, or longer—to pass between seeing the image through the viewfinder and reviewing it in the darkroom. Digital technology scrunches these slow, drawn-out processes together.”

(If you want to see some truly analog photos, negatives were discovered clumped together from Ernest Schackleton’s Antarctic voyage. Unbelievably, they’ve been restored and printed.)

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Transactive Memory and the Machines

A reliance on technology is beneficial, allowing our brains to work harder, faster, and outsource more menial tasks such as keep track of which meetings are in which rooms at which times, to a web application. However, that reliance has sometime-damaging effects when coupled with a lack of understanding about how technology works and impacts us.

Camera phones can impact your memory by altering what you focus on and observe while taking a picture. When you take a photo, your brain remembers less of what you photographed, perhaps because it realizes that in taking a photo, you will have a record which you can reference later and therefore the information is less important to store. Dave Pell elaborates on this in an excellent essay on Medium:

“We’ve ceded many of our remembering duties (birthdays, schedules, phone numbers, directions) to a hard drive in the cloud. And to a large extent, we’ve now handed over our memories of experiences to digital cameras.”

This is especially relevant now since camera phones and picture-taking are near-ubiquitous in many facets of our society. Dave Pell continues, remarking:

“Snapping and sharing photos from meaningful events is nothing new. But the frequency with which we take pictures and the immediacy with which we view them will clearly have a deep impact on the way we remember. And with cameras being inserted into more devices, our collective shutterspeed will only increase.”

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What would I say?

made an effort to the most obnoxious article

What would I say? Something you think when posting on social media sites, when offering up your opinion about something in the news, and now, the name of an app that emerged from HackPrinceton just a few days ago.

So popular the server intermittently goes down, forcing you to access a cached copy of the site or not be able to post automatically to facebook (instead screenshotting the page to share), it was created by Pawel, Vicky, Ugne, Daniel, Harvey, Edward, Alex, and Baxter. However, they didn’t win anything there (per HackPrinceton’s Facebook event).  But now their creation has gone viral. Their creation has been profiled on the Huffington Post, with an article titled, “Your Facebook Statuses are Gibberish. Here’s Proof.“, as well as Slate and BusinessInsider. Even the New Yorker has profiled the app (revealing that Baxter, is in fact, a dog).

But what is so appealing about this app? Friends and I have already used the app, and we’ve all been delighted to discover something that nonsensically “understands” us, by spitting our own words back at us. Others have had the same reaction, posting about it with #wwis or #whatwouldisay, noting how the robot just “gets” them.

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Handwritten Texts

I’m going to expand on some tweets of mine from earlier today about this blog post.

Cristina Vanko spent a full week responding to all texts sent to her with hand-lettered calligraphy notes, which she then photographed and sent back as her response. 

There is a vintage nostalgia element to practicing something of this nature, a throwback akin to the resurgent popularity of vinyl or of the constructed “aged” photo filters as examined extensively by Nathan Jurgenson, and one of her friends recognizes this with the comment “old schoo+new school”:

iphone screenshots capturing conversations between author and friends

old schoo+new school and wondering what took so long

The vintage nostalgia of writing out a text lends credence to the “digital detox” movement in a unique way. Cristina is disengaging from traditional digital practice, and yet still practicing the act and art of communication, but on her own, slower terms.

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