Here’s what was important this week…
Software is everywhere lately. My boyfriend asked me what I thought the next big website would be (after the success of Google, Myspace, Facebook, Twitter, etc.), and I realized it’s just as likely (if not more likely) to be a software application rather than a website. Paul Ford took some time to enshrine some works of software in a “software canon” — Microsoft Office, Photoshop, Pacman, the Unix operating system, and eMacs (which I’d never heard of until this essay came out).
Software has had a noticeable effect on our day to day lives (especially those with smartphones), but it’s also had a huge impact on music and the way it’s created, recorded, and produced. Fact Magazine went through 14 works of software that shaped modern music (electronic music started way earlier than I thought). One of those software applications is Auto-Tune, and the Sounding Out! blog happened to post about the history of Auto-Tune.
Pitchfork recently published a great longform essay on music streaming. It covered the past, history, and present of music streaming, and brought up a lot of great points. These are my reactions.
The piece discussed how “the “omnivore” is the new model for the music connoisseur, and one’s diversity of listening across the high/low spectrum is now seen as the social signal of refined taste.” It would be interesting to study how this omnivority splits across genres, age groups, and affinities. I find myself personally falling into omnivore status, as I am never able to properly define my music taste according to genre, and my musical affinities shift daily, weekly, monthly, with common themes.
Also discussed is the cost of music, whether it be licensing, royalties, or record label advances. Having to deal with the cost of music is a difficult matter. I wonder if I would have been such a voracious consumer of music if I hadn’t grown up with so many free options with the library, the radio, and later, music blogs. Now that I’m older, I make the effort to purchase music when I feel the artist deserves it, but as I distance myself (incidentally, really) from storing music on my computer, that effort becomes less important to expend.
I had to talk about it eventually, and Thursday’s news was a good impetus. Newsweek had a big “scoop” potentially unmasking the founder of Bitcoin. The magazine saved this story for the cover of their return-to-print issue. The story features stalking masquerading as investigative journalism, as the author tracked down this man through national records, then tracked his interests to a model train forum, where she emailed him purporting to be interested in trains, then began asking about Bitcoin (at which point he stopped responding).
Then she tracked down his home and family members, and interviewed them extensively about the man and itcoin. She finally paid him a visit at his home, and instead of answering the door he called the cops. This surprised her. Read the article in full, if you’d like to know more about the lengths some people will go to find people who don’t want to be found (and who haven’t done anything wrong).(After some sushi and a car chase the man himself claims he is not involved with Bitcoin).